One of the greatest harpsichord
makers of the 18th century was F.E. Blanchet, son and grandson of harpsichord
makers and facteur des clavecins du roi. Based on a Blanchet instrument from 1731 this harpsichord represents the flowering of French harpsichord design in the first half of the 18th century. With a compass of 61 notes - from FF to fff - the instrument is disposed 2X8', 1X4', with a buff stop on the
lower manual 8' choir. This instrument has a huge, distinctive sound; the
lower manual is rich, slightly dark, while the upper manual provides a
brilliant contrast. This is a superb solo and ensemble harpsichord for
all periods of Baroque repertoire, but is especially suitable for mid-to-late
French Baroque music. The keyboard shifts between A-440, A-415. Transposition to A-392 is available at an additional cost.
The keyboards are finished with ebony naturals and bone or Corian-topped sharps.
In standard form the case and lids are painted basswood or poplar; and
the instrument's weight is around 120 lbs; optionally the harpsichord may
be made of select, solid black walnut with birds-eye maple inlaid banding,
at an additional cost and weight. The French double can sustain the greatest
amount of decoration, as one can observe from museum examples from the
Roccoco period. Shown at left with the optional Louis XVI stand is a French walnut version and on the right a painted version with gold leaf banding and mouldings sitting on a matching Louis XVI stand. (private ownership,
Winnipeg). Click on the picture at left to see two high resolution images of this beautiful instrument. $29,100.00
Click HERE
to see a few more French harpsichords and an inside peek of a French Double.
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